I attacked the workshop behind the red wall today - I finally have my little workbench now, and some more storage space.
The kid brought home a new project, his first, so it's a little chaotic and a bit of a mess at the moment.
Good for him a nice Norton, it will look good when he's done keep the pic's coming It would be nice with some proper bars on it though
Man, I came around a fast dipping corner one night on an R6 and hit an old oil filter sitting right on my lline with the front wheel. 5p-50p for a while there I tell ya.
While hollowbody instuments and semi-hollows certainly are more effected by woods , they do make a difference in any instrument. Something I've experimented with for the past 2 decades ( as an engineer I'm always curious and looking for real proof) As far as "jazz guitars" well.. any guitar can be used for jazz , albiet the norm is hollowbodies...it's the player , not the axe. Oddly when the Strat was young traditionalist thought it wasn't suitable for blues.... imagine that.... Almost all of the semi-hollows are laminate, i.e Gretsch , Gibson because the solid tops are notorious for cracking
A Strat can do it all, from jazz to metal. .. well, a Les Paul too... and ... ok they can all do it all
Man Cave / Garage Stuff: A 1977 T140V engine being finished off and going back in - hooray. I thought I'd show you some of the stuff on the walls. This is a World War One Sniper Plate. A steel plate built into the trench sides that allowed snipers to take pot shots through a small hatch in the centre. It measures roughly 2 feet by 1 foot high and is about half an inch thick. This is a British sniper plate that has had the small centre hatch smashed away. The plate is actually bent from a few rifle hits. I've painted the front to commemorate the Great War. If you look closely you can see where the bullets hit. British sniper plates are quite rare, German ones are more common for some reason.
